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Edited
by Gorham Kindem August 2000 ISBN 0-8093-2298-6 | cloth | $59.95s ISBN 0-8093-2299-4 | paper | $38.50s 432 pages | 2 tables, 4 figures | 6 x 9
Movies
are both art and commerce, creative expressions of national/cultural
interests and preoccupations and part of a global entertainment market.
The past century has witnessed a transformation of the movies from popular
novelties into highly valued cultural icons and commodities that have
promoted national identity and specific political agendas, while also
affecting international trade.
This comprehensive history of the international movie industry from its inception in 1895 to the present features nineteen original essays by international scholars who examine the film industries of nineteen countries and six continents. Each chapter in The International Movie Industry focuses on a specific national movie industry’s economic and related social, aesthetic, technological, and political/ideological development within an international context during the last century. The result is a global history of the movie industry over the last one hundred years.
Gorham Kindem is a professor of communication studies at the University of North Carolina at Chapel Hill. He is the author of The Live Television Generation of Hollywood Film Directors, coauthor of Introduction to Media Production: From Analog to Digital, and editor of The American Movie Industry. He has directed several public television documentaries.
Contents & Contributors Marcus Breen, Australia Cristina Degli-Espositi Reinert, Italy David Desser, Japan Manthia Diawara, Senegal Leif Furhammar, Sweden Susan Hayward, France Joanne Hershfield, Mexico Andrew Higson, Great Britain Beverly James, Hungary Randal Johnson, Brazil Gorham Kindem, United States John A. Lent, China Peter Morris, Canada Hamid Naficy, Iran Owen Shapiro, Israel Arnold Shepperson, South Africa; Dmitry V. Shlapentokh, Soviet Union Marc Silberman, Germany Radha Subramanyam, India Kenyan G. Tomaselli, South Africa Faye Zhengxing, China
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