Film and Media Studies

• Anderson, Joseph D. and Barbara Fisher Anderson.Moving Image Theory

• Barranger, Milly S. Unfriendly Witnesses: Gender, Theater, and Film in theMcCarthy Era

• Benson, Thomas W. and Brian J. Snee. The Rhetoric of the New Political Documentary
  

• Beugnet, Martine. Cinema and Sensation: French Film and the Art of Transgression
  

• Boswell, Parley Ann. Edith Wharton on Film
  
  
• Cones, John W. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance
  
  
• Greiff Louis K. D.H. Lawrence: Fifty Years on Film
  
  
• Picart, Caroline J. S. and Frank, David A. Frames of Evil: The Holocaust as Horror in American Film
  
  
• Rosenthal, Alan. Writing, Directing, and Producing Documentary Films and Videos
  
  
• Shail, Robert. British Film Directors: A Critical Guide
  
  
• Ward, Richard Lewis. A History of the Hal Roach Studios
  
  

Select Backlist

• Bachman, Gregg and Thomas J. Slater. American Silent Film: Discovering Marginalized Voices  

• Bellin, Joshua David. Framing Monsters: Fantasy Film and Social Alienation

• Benson, Thomas W. and Carolyn Anderson. Reality Fictions: The Films of Frederick Wiseman, Second Edition

• Blakesley, David. The Terministic Screen: Rhetorical Perspectives on Film  

• Bliss, Michael. Dreams Within A Dream: The Films of Peter Weir

• Cones, John W. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance
   

• Dixon, Wheeler Winston. Collected Interviews: Voices from Twentieth-Century Cinema

• Dixon, Wheeler Winston. Film and Television After 9/11

• Dixon, Wheeler Winston. Lost in the Fifties: Recovering Phantom Hollywood
  
  
• Edwards, Emily D. Metaphysical Media: The Occult Experience in Popular Culture (October 2005)
  
  

• Fawell, John. Hitchcock’s Rear Window: The Well-Made Film

• Foote, Joe S. Live from the Trenches: The Changing Role of the Television News Correspondent

• Foster, Gwendolyn Audrey. Class-Passing: Social Mobility in Film and Popular Culture
  
  

• Foster, Gwendolyn Audrey. Identity and Memory: The Films of Chantal Akerman

• Goodrich, David L. The Real Nick and Nora: Frances Goodrich and Albert Hackett, Writers of Stage and Screen Classics

• Greiff, Louis K. D. H. Lawrence: Fifty Years on Film

• Keroes, Jo. Tales Out of School: Gender, Longing, and the Teacher in Fiction and Film

• Kindem, Gorham. The International Movie Industry

• Kuoshu, Harry H. Celluloid China: Cinematic Encounters with Culture and Society

• Lipkin, Steven N. Real Emotional Logic: Film and Television Docudrama as Persuasive Practice

• Moeller, Hans-Bernhard and George Lellis. Volker Schlondorff's Cinema: Adaptation, Politics, and the "Movie-Appropriate"  

• Morgan, Jack. The Biology of Horror: Gothic Literature and Film

• Moseley, Roy. Evergreen: Victor Saville in His Own Words  

• Ozersky, Josh. Archie Bunker's America: TV in an Era of Change, 1968-1978

• Redmond, Dennis. The World Is Watching: Video as Multinational Aesthetics, 1968–1995

• Rosenthal, Alan. Jerusalem, Take One!

• Rosenthal, Alan. Why Docudrama?: Fact-Fiction on Film and TV

• Rosenthal, Alan. Writing, Directing, and Producing Documentary Films and Videos, Third Edition

• Shelton, S. Martin. Communicating Ideas with Film, Video, and Multimedia: A Practical Guide to Information Motion-Media

• Simpson, Philip L. Psycho Paths

• Stein, Atara. The Byronic Hero in Film, Fiction, and Television  

• Sterritt, David. Mad to be Saved: The Beats, the '50s, and Film

• Sterritt, David. Screening the Beats: Media Culture and the Beat Sensibility

• Stubbs, John C. Federico Fellini as Auteur: Seven Aspects of His Films  

• Ulea, V. A Concept of Dramatic Genre and the Comedy of a New Type: Chess, Literature, and Film

• Vogels, Jonathan B. The Direct Cinema of David and Albert Maysles
  
  
• Ward, Richard Lewis. A History of The Hal Roach Studios

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