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Reality
Fictions The
Films of Frederick Wiseman Second
Edition Thomas
W. Benson and Carolyn Anderson June
2002 paper,
0-8093-2438-5, $30.00s 464
pages, 6 illus., 6 x 9
Review
of the first edition . . .
“It
is to Benson and Anderson’s credit that they produce a thoroughly
illuminating examination of Wiseman’s films and filmmaking but that they
leave some of the mystery of the filmmaker intact. One finishes the book
with a vastly expanded understanding of the films, yet with a sense of awe
for the person who is probably this era’s most distinguished
documentarist.
“This is a rare marriage of film and rhetorical criticism, in which the authors pay intricate attention to cinematic technique, not for its own sake, but within the larger context of examining how the films work rhetorically. They are particularly concerned with how the audience is likely to interpret the films—with the various reading strategies that Wiseman seems to invite in each one. . . . This is a very fine book for the serious student. It is a complex, intelligent, careful and continually insightful treatment of an arresting subject and ranks as an important contribution to the scholarship of film and rhetoric.” —Quarterly Journal of Speech Providing
in-depth accounts and close critical examinations of nine of Wiseman’s
films—Titicut Follies, High School, Basic Training, Essene, Juvenile
Court, Primate, Welfare, Canal Zone, and The Store—this
second edition featuring a new introduction, a revised and updated
filmography, and an updated bibliography.
Thomas W. Benson is the Edwin Erle Sparks Professor of Rhetoric and Professor of Communication Arts and Sciences at the Pennsylvania State University. His many books include the edited volume, American Rhetoric: Context and Criticism.
Carolyn
Anderson is
an associate professor and undergraduate program director in the
Department of Communications at the University of Massachusetts, Amherst.
With Thomas W. Benson, she is the author of Documentary Dilemmas:
Frederick Wiseman's Titicut Follies.
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