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Nan
Johnson March
2002 ISBN
0-8093-2426-1, $29.50s paper 224
pages, 21 illus., 6 x 9 Women’s
Studies
/ Rhetoric
/ American
History
Studies in Rhetorics and Feminisms Cheryl Glenn and Shirley Wilson Logan, series editors Nan
Johnson demonstrates that after the Civil War, nonacademic or “parlor”
traditions of rhetorical performance helped to sustain the icon of the
white middle class woman as queen of her domestic sphere by promoting a
code of rhetorical behavior for women that required the performance of
conventional femininity. Through a lucid examination of the boundaries of
that gendered rhetorical space—and the debate about who should occupy
that space—Johnson explores the codes governing and challenging the
American woman’s proper rhetorical sphere in the postbellum years.
While
men were learning to preach, practice law, and set political policies,
women were reading elocution manuals, letter-writing handbooks, and other
conduct literature. These texts reinforced the conservative message that
women’s words mattered, but mattered mostly in the home. Postbellum
pedagogical materials were designed to educate Americans in rhetorical
skills, but they also persistently directed the American woman to the
domestic sphere as her proper rhetorical space. Even though these
materials appeared to urge the white middle class women to become
effective speakers and writers, convention dictated that a woman’s place
was at the hearthside where her rhetorical talents were to be used in
counseling and instructing as a mother and wife.
Aided
by twenty-one illustrations, Johnson has meticulously compiled materials
from historical texts no longer readily available to the general public
and, in so doing, has illuminated this intersection of rhetoric and
feminism in the nineteenth century. The rhetorical pedagogies designed for
a postbellum popular audience represent the cultural sites where a
rethinking of women’s roles becomes open controversy about how to value
their words. Johnson argues this era of uneasiness about shifting gender
roles and the icon of the “quiet woman” must be considered as evidence
of the need for a more complete revaluing of women’s space in historical
discourse. Nan Johnson is an associate professor of English at the Ohio State University and author of Nineteenth-Century Rhetoric in North America.
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