|
The Birthplace of Off - Off Broadway Wendell
C. Stone June paper, 0-8093-2645-0, $30.00 cloth, 0-8093-2644-2, $60.00 272 pages, 5 1/2 x 8 1/2, 19 illus. Theatre Studies / New York / Gay and Lesbian Studies /
“It’s Magic Time!” That colorful promise began each performance at the Caffe Cino, the storied Greenwich Village coffeehouse that fostered the gay and alternative theatre movements of the 1960s and launched the careers of such stage mainstays as Sam Shepard, Lanford Wilson, Robert Heide, Harry Koutoukas, Robert Patrick, Robert Dahdah, Helen Hanft, Al Pacino, and Bernadette Peters. As Off-Off-Broadway productions enjoy a deserved resurgence, theatre historian and actor Wendell C. Stone reopens the Cino’s doors in this vibrant look at the earliest days of OOB.
“This
remarkable, informative, and entertaining book is essential reading for
anyone interested in the theatre of the twentieth century. Joe Cino and
his ‘magical’ Caffe Cino were at the epicenter of the breakthrough
revolutionary spirit of the 1960s in terms of the important theatre movement
that came to be known as Off-Off-Broadway. A good read. Go for it.”
“It
is very unnerving to read a book about a phenomenon central to your creative
life only to discover the author knows more about it than you can remember
yourself. Wendell Stone’s book is breathtaking in its perfect depiction
of a special place and a magic time. I am tempted to walk down to Cornelia
Street to see if, like Brigadoon, the Caffe Cino lives again.”
“Wendell
Stone has gathered the facts and fictions, the lies and legends, the elusive
chronology and the effusive mythology of the most wonderful place of all
time and arranged them with precision and perspective. I learned a throng
of things I never knew about the Caffe Cino from this bountiful book.”
“Stone’s
definitive history provides not only a detailed chronological production
history of Joseph Cino’s café theatre, but also broaches
the subtle social, economic, political, and theoretical contexts that
gave rise to the Off-Off-Broadway world of coffeehouse theatres. This
study will delight scholars of American theatre and also serves as inspiration
for emerging playwrights, directors, and actors who are searching for
a historical context for their own careers.”
|
Cloth
|